Creative Direction & Design

Graphics built to survive live conditions.

A graphics package that looks good in a still frame and one that holds up during a live broadcast are not the same thing. We design, build, and operate ours for the second case — then finish the post-production ourselves.

Views on content produced or co-produced
700K+
Film & broadcast productions delivered
20+
Disciplines covered start to finish
4
Handoffs between design and live operation
0
What We Cover

Four disciplines. Usually delivered together.

Broadcast work rarely separates cleanly into design, data, and post-production — so we don't split it across separate teams either.

01

Broadcast Graphics & Motion Design

Graphics packages, animated overlays, transitions, and branding elements designed for live production, not a static portfolio piece.

Best for: Broadcasters and rights holders who need a graphics package built to run live

02

Rundown & Sponsor Integration

Rundowns and sponsor placements designed and built so every element airs exactly where it's supposed to, on time.

Best for: Events and broadcasts with commercial partners requiring precise on-air placement

03

Real-Time, Data-Driven Graphics

Live data collected, validated, and integrated into graphics systems, so on-screen numbers update the moment they change.

Best for: Sports and events where the numbers change second to second

04

Post-Production & Color Grading

Editing and grading across formats, from behind-the-scenes content to full broadcast packages, on professional post tools.

Best for: Productions that need a consistent look from raw footage through to delivery

How We Work

Design and live operation stay with the same person.

Two principles that shape every broadcast project we take on.

Built for live, not just for looks

Every graphics package is designed to hold up under the timing and pressure of live production, not just to look good in a still frame.

One person, start to finish

The same creative lead who designs a package often operates it live and finishes the post-production, so nothing gets lost in a handoff.

Every Project Includes

The engineering underneath

Regardless of the production, every project we take on holds to the same standard.

  • Broadcast graphics packages and animated overlays
  • Rundown design and sponsor integration
  • Real-time, data-driven graphics for live events
  • 2D and 3D motion design and branding elements
  • Video editing and color grading
  • On-site graphics operation during live broadcasts
Built On

Our default toolset

Professional design and post-production tools we use by default, matched to what the production actually needs.

Adobe After EffectsBlenderPhotoshopIllustratorPremiere ProDaVinci ResolveAvid Media ComposerFinal Cut Pro

Need a graphics package that survives live conditions?

Tell us what the production looks like, and we'll tell you honestly what it needs.

Start a project